El mar entre los dos (Especial Julia) (Spanish Edition)

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Inertial Love. Manolo marca registrada. Silba perfidia. Manolo Global. Please try your request again later. Julia Palmarola is an educational writer specialized in integrating the Montessori Method at home. Her books are written for parents who want to learn more about Montessori and apply it at home with their children.

Her books are available in English, Spanish and German. Are you an author? Help us improve our Author Pages by updating your bibliography and submitting a new or current image and biography. Learn more at Author Central. Previous page. Kindle Edition. Next page.

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Blog post. Os he dejado abajo el link para poder descargarlo gratis. Listado de materiales Montessori. Imprimible tarjetas Montessori "Los Colores". Lo primero que necesitaremos es una caja rectangular o una bandeja de bordes altos. Mejores libros infantiles para Halloween. Diferencias entre una escuela Montessori y una escuela convencional. How is it like being in both sides, as translator and translated author? Yes, poems of mine have been translated mostly into Spanish, with shorter selections into Galician, Arabic, and Portuguese. Distance in the sense that I always hope a translator will feel that the poems also belong to her , you know?

In all her particularities, all her personal styles and tastes and approaches. Part of what I still find uniquely powerful about the experience of being translated into Spanish, though, is that my books have only been published in Spanish translation. Not in English, and not in my own country of origin. Are you currently translating any books? If so, could you tell us a bit about them? Juana translates between Spanish and English in both directions a superpower that never ceases to amaze me! By the end of the process—which involved great openness, engagement, and creativity on her part—I really felt that Juana and I had become co-translators.

I feel lucky to know her and learn from her in both languages! The other children are not benefiting. So many misunderstandings. Decades later, I am still an introvert. I am also a translator, interpreter, blogger, consultant and founder of Greek to Me Translations.

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Did my introversion stop me from becoming who I am today? No, to the contrary. It has pushed me in the right direction. Reading this, you are probably a translator too. And you may consider yourself an introvert too. Do you feel like not going out, talking to people, or picking up the phone? Are you terrified of conferences, and making contacts during events? Welcome to the world of introversion. Many of you might be familiar with it, some not.

In this framework, introversion is not about shyness.

Some people take their energy from others extroverts and some from within themselves introverts. Think of the sunflower; it always turns to the sun. Now think of a cactus; it conserves its energy within it and requires few external stimuli. However, what makes you the best is a balance of both traits. Naturally, you are more comfortable with one of the two personality preferences. But perhaps, your job or culture has pushed you toward adopting features of the opposite side. These are your coping mechanisms and they are great.

They turn you into a fully-grown personality.

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But these definitions are not about putting people in boxes and locking them there. They constitute a common language offering you the opportunity to understand yourself, accept your gaps and find ways to develop. There are two tools that can help you identify your preferences. Maybe you know you like fish in general, but you might not like salmon or maybe you cannot eat scallops.

Similarly, there are different facets to introversion. Or, you find it difficult to initiate conversation, but once someone starts speaking with you, you cannot stop talking.


Did you know that introverts make the perfect freelance entrepreneurs and great leaders? Introverts thrive in solitude. They read others and they can listen. I mean they can properly listen. And did you know introverts are better with social media? And that sometimes is truly valuable. But of course, having the best of both worlds requires effort.

The first step to achieving balance is acceptance. Then, you invest in understanding your introversion. Everyone is different. We all come from different backgrounds and cultures. Sometimes, a temporary life event could be impacting your core personality preferences. So, self-awareness is key. Then, you can start learning.

And you can learn from extroverts. Think of those instances where being an extrovert could benefit you. Do you have gaps? Identify your goals and keep them in a notebook. This can become your extroversion workbook. And by that, I mean take it one step at a time. For example, if your biggest challenge in running your business is networking with potential clients at conferences or trade fairs, then start small.

Go to a local meet-up. Find an event with fewer people. Then, you scale up. But be careful as this is dangerous. And remember, you are definitely not alone in this. I have a secret suspicion that most translators are introverts. So, give yourself a pat on the back. Allow yourself quiet, me-time. Do you feel exhausted after a 2-day conference? You have the secret power of introversion. Own it. She specialises in legal, marketing and psychometrics. She is the founder of Greek to Me Translations and blogs on www. She often gives webinars and talks in conferences and she enjoys networking.

Believe it or not, she is an introvert. E nos vemos no congresso! How about starting by telling us yours? I grew up in a monolingual family, learned Spanish in Mexico when I was 18, studied Spanish and literature in college in the UK, and lived in Peru and Chile. I was living in Peru and became obsessed with his work. Translating poems seemed to me like the best way to engage with them, to get inside them and see how they worked, and there was something really thrilling about making them breathe in another language.

A couple of years later, I did a diploma in translation studies in Santiago de Chile, but this was an experience that closed doors as well as opening them. I was so happy thinking about and doing translation, but I remember the instructor saying in very clear terms that it was impossible to make a living from literary translation. I took the academic route, and translated poems for fun. I finally realized that translation was the activity that brought my skills, experience, and interests together under one umbrella, and that was when I decided to make it my focus, despite the dire warnings of penury.

The data collected on this subject — for instance, by the Three Percent Translation Database, now housed by Publishers Weekly — tells us that of all the books translated into English, as many as three fourths are by men. Why is this? People in the Room was published in English 68 years after it first appeared in Spanish; during that lapse, Lange received significantly less critical attention in her home country than her male peers who were also more often translated , despite the importance of her writing.

All these projects are significant because they go some way towards rebalancing the gender inequality in translation. Do you feel there are any particularities between translating men x women? In the cases of both these books, their style captivated me, I felt a deep, personal draw to their subject matter, and an urgent need to share them with English-language readers.

In terms of the practicalities of the two translations, perhaps the biggest difference was that one author was dead and the other alive. In contrast, I talk to Jorge often, and think our conversations have enriched the translation process.

But to go back to the question of gender, the concerns and idiosyncrasies that make writers unique may result from their experience, and gender can certainly be a factor in that. A woman writing in the mid-C20th is working under a different set of constraints than a man writing in the present. As a translator, I think about gender less in terms of the characteristics of the writing, and more in relation to the conditions that determine how writing by men and women is read and received, and the conditions that allow them to write in the first place.

Morales is a Spanish journalist who has spent most of a decade gathering the stories of members of displaced populations in different parts of the world. We Are Not Refugees is the result of his intensive exploration of the factors that cause mass migration, and the real-life experiences of those who are forced to flee. The book describes the situation of multiple displaced communities: Central Americans fleeing northwards from violence, Afghan and Syrian refugees in Turkey, internal displacement in the Central African Republic and South Sudan.

Few writers have such breadth of experience when it comes to mass migration, and Morales identifies the specifics of a range of cases, while also finding commonalities between them. He writes movingly of his subjects, while letting those he encounters tell their own stories, so readers can get to know some of the faces behind the headlines to which we are often numb. I came away from this project with so much admiration for writers and journalists who have the emotional stamina to tell these stories in a clear-eyed manner.

What have you learned so far about being a literary translator that you could pass on to newbies? Translating books requires hour after hour of solitary work, week after week, month after month. Without an office to go to or a cohort of colleagues you see every day, it can get lonely. I have regular workshops with translator friends where we discuss everything from tricky sentences to how to collectively improve working conditions for translators. Robin is a tireless translator of poetry and prose, and an extraordinary poet in her own right.

I recently devoured her translation of Empty Pool , a collection of gorgeous, luminous essays by Isabel Zapata. Antes de mais nada, muito obrigada por ter me convidado para participar do seu blog. Encontrei Alicia na porta do cinema. Ela tem um filho doente. Incorreto: Ella tiene un hijo enfermo. Correto: Ella tiene a un hijo enfermo. Ela tem um filho cego. Incorreto: Ella tiene a un hijo ciego. Correto: Ella tiene un hijo ciego.

Ele devolveu uma carteira contendo todos os documentos.

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Mucho a : antes de substantivo singular e depois de verbo. Ella es muy linda. La traductora sabe mucho. Este diccionario es mucho mejor que el anterior. Em , criou o blog www. Welcome back to our Greatest Women in Translation interview series, dearest followers! How is that so, considering we usually translate into our mother tongue? She is dropped into English-only education and quickly comes to speak English fluently. She speaks Portuguese at home and with her extended family in Brazil; they call her gringa. Eight years later, she moves with her parents to Mexico City and enters a bilingual school, where classes are imparted both in Spanish and English.

Five years later, she moves back to the United States with her family, where she attends a monolingual English public school. She later completes her higher education in Scotland English and Spain Spanish. Although I lived in Europe for fifteen years, it was never anywhere that made citizenship an easy path for me. On your website , you say you are soon-to-be chair of the Translators Group of the Authors Guild. Could you tell us more about it? The idea behind creating a Translators Group is to support work to establish similar industry standards for translators.

Alex Zucker and Jessica Cohen have been working with the Authors Guild on a model contract that would spell out certain contractual terms that might seem impenetrable to some translators, among other things. The Authors Guild is the only organization in the U. The idea is to focus this effort. Last year, the Brazilian publishing house Companhia das Letras invited five Brazilian literary translators to talk about their professional trajectory in their blog in celebration of the International Translation Day, and you were among them. Do you remember why? I sound completely unlike myself in Portuguese.

It was like giving voice to a stilted and awkward-sounding stranger who happened to also be called Julia Sanches. They know you really, really, really well. Could you elaborate more on the relationship between the author and their translator?