Catherine Mists of Time
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Special order. This item is a special order that could take a long time to obtain. In one, the artist sits shirtless, facing away from the camera; a childlike drawing of a house and two women holding hands has been freshly razor-cut into the skin of her back. In the second, from a year later, she faces forward but with her head encased in a tight, eyeless black-leather mask. Rows of needles, meticulously spaced apart, pierce her arms. The picture is extremely, radioactively aggressive. With its blood and needles, it embodies Ms. For obvious reasons, queerness has dominated the conversation around Ms.
CATHERINE BRASLAVSKY & JOSEPH ROWE
It should. Few artists of her generation have as consistently and brilliantly shown queerness to be the capacious category it is. Yet nothing need be artificially defined or delimited by it.
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As if to give proof, Ms. It was made up of about 40 very small, black-and-white platinum-print images of Los Angeles freeways empty of cars and people. Presented in a salon-style hanging, the series gave workaday highways, filmed mostly from below, the chill, glamorous monumentality of spaceships, but made them dark and dim, as if viewed through the mists of a distant planet.
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Other urban series followed, among them color photographs of Los Angeles house facades, and black-and-white shots of minimalls across the city. Again, no people, but an implied human presence. Homes in Bel Air hunker down, blank and tense, behind gates, fences, surveillance cameras. By contrast, minimalls, cobbled-together commercial stretches in low-income neighborhoods, are open to all, judging by their signs in Korean, Chinese, Thai and Spanish, as well as English. Exclusion versus inclusion is one of Ms. After shooting freeways in , she drove cross-country to photograph women living in domestic partnerships.
The result was a group of deeply felt but unsentimental marriage portraits taken in living rooms, kitchens, bedrooms and back yards from San Francisco, to Tulsa, to New York; homages to families that America knew nothing about. The bottom-line subject here, as elsewhere in Ms. For one, she photographed a cluster of ice houses set up for fishing on a frozen lake in northern Minnesota.
Two years later she took pictures of surfers waiting for waves to gather in becalmed California ocean water. Both series concentrate on groups of people bound together, however briefly, by passionate interests. Both take distant views of their subjects, reducing them — shelters and figures — to specks in a wide pictorial field. Both use the same compositional scheme: equal-size registers of water and sky broken by a thin horizon line.
From the mists of time - Rhinegold
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From the mists of time
Sort order. Sep 22, Suzanne rated it liked it. I enjoyed this book and read it in a couple of days. The writing style was a little 'simple' for my liking but I overcame that as I became engrossed in the story.
The characters were likeable and more importantly, believable. I enjoyed the setting of a country manor in England and the author managed to transport me between times easily. I felt the last quarter of the book was a little hurried but by that time the tale had already unfolded and the reader could easily guess what was to come. Overal I enjoyed this book and read it in a couple of days.
Overall a very enjoyble read with enough historical romance and time slip to keep me entertained. There are no discussion topics on this book yet.